Historia, Música

This day in Chicana herstory: Selena Quintanilla-Pérez is killed (1995)

March 31, 1995:
Selena Quintanilla-Pérez, Tejano music superstar, was killed by Yolanda Saldívar. She was 23 years old.

I wrote about the anniversary of her passing four years ago:

“Did you even know her before she died?”

“No,” I admitted.

He looked at me like I was a fraud. Well, not really. But that’s what I felt like when I admitted my pre-1995 Selena ignorance.

In 1995 I was busy getting through my freshman year of high school. All I listened to was KROQ and was pretty much over the banda craze of the early 1990s. I hardly ever switched the dial to any of LA’s many popular Spanish-language stations.

When my 8-year old neighor, Jorge, came over to our house to tell us the breaking news that Selena had been shot and was dead (or dying, can’t remember), I thought “who?” Jorge saw the look of confusion on my face and told me it was the woman who sang “Bidi Bidi Bom Bom.” I had some familiarity with the song, but didn’t know anything about the singer. Like many other people, I got to know Selena’s music posthumously and through the Gregory Nava film.

I remember watching the film in Ontario at the movie theater where my cousin worked (he got us in free, one of the perks of being employee of the year). I completely identified with the young Selena Quintanilla. My dad used to teach me Mexican songs. He’d translate the lyrics and explain what the words meant. Danny, my older brother, and I were put in singing contests and often willingly joined our dad when he brought out the guitar.

Go dance a cumbia in her honor. If you don’t have any songs available, check the Bicoastal Mixtape. I’ve posted a couple of her songs. Or watch the movie.

Standard
Música, Sentimientos

Lejos de ti

For the past six weeks, I’ve been obsessed with Carla Morrison’s “Compartir” thanks to NPR’s Alt.Latino podcast.

The night before Thanksgiving, I couldn’t sleep. I listened to Alt.Latino once again. This was the second show in a few weeks that the hosts had mentioned Morrison and played her music. Her previous songs hadn’t struck me like “Compartir.” I immediately got out of bed and downloaded the album, Mientras Tu Dormías.

For the next few days, I listened to “Compartir” at least five times a day and translated the lyrics so I could share the song with Sean. She was singing to me. She was singing about our bicoastal relationship.

***

I left New York just a few hours ago. Sean rented a ZipCar and drove me out to JFK as usual. We kissed, hugged and he wished me a safe trip. This goodbye was different, as we both know that in just a short week, Sean will be at JFK boarding a flight for LAX himself. He won’t be coming back to NY on Sunday night as usual and our bicoastal relationship will be over.

We’ll finally be together in the same time zone, same city… just a few miles away from each other.

***

No es tan fácil estar tan lejos de ti

That part of “Compartir” will no longer apply, but the rest will still be perfect.

Standard
Los Angeles, Música

Julieta Venegas & Ximena Sariñana at Club Nokia

I love Julieta Venegas, but my codo kept me from buying tickets to her show at Club Nokia. I hope that one of the music blogs would have a ticket give away. I entered a couple through La Banda Elástica and The Scenestar, but didn’t win. But my friend, Jake, did (and only because I posted a link about the Scenestar contest on Facebook). Unfortunately, his wife had a conflict with a graduation. That meant he needed to find another fan. That’s where I gladly step in.

I was excited for the show all day. Not only was I going to see Julieta, but Ximena Sariñana would be opening for her. I’d been following Ximena for a few years and really enjoyed her debut, Mediocre as well as her guest vocals with Volovan (“La Luna”) and Plastilina Mosh (“Pervert Pop Song”).

Ximena seemed genuinely excited to open up for Julieta and called herself a fan. She sang some of her new songs in English as well as “Monitor” over a loop. She closed off with the haunting “Mediocre”.

Half an hour later, Julieta came on stage accompanied by an 8-piece band. She wore a black tunic with some weird gathering that hid her baby bump and navy blue leggings. She looked a little eccentric but cute. She played guitar and keyboard — not accordion — for some of the songs. Most of the time she was singing and dancing, which the adoring crowd loved. She spoke in between the songs about some of the meaning behind them. She dedicated “Un Lugar” to all the migrants and those fighting against SB 1070. She told Mexicans to keep their heads up, “los Mexicanos tenemos mucho de ser orgulloso… Frida Kahlo, Pedro Infante, José Alfredo Jiménez. Vamos a salir adelante.” She dedicated “Revolución” to Soda Stereo frontman Gustavo Cerati, who underwent brain surgery on Wednesday to remove a blood clot. I was happy to see another Tijuanense, Ceci Bastida, reprise her role as part of Julieta’s band, albeit as a guest on a couple of songs.

Julieta Venegas’ setlist below.

Continue reading

Standard
Música

Julieta Venegas on KCRW

http://www.kcrw.com/music/programs/mb/mb100427julieta_venegas/embed-audio

I missed Julieta Venegas’ appearance on Morning Becomes Eclectic today. I was too stressed with some work stuff.

Anyway, I’ve really been feeling her latest album, especially “Despedida,” quite the cheery breakup song. Julieta describes it as a “sensible goodbye.” (There’s something about Julieta and her breakup songs. Who remembers my obsession with “Me Voy” four years ago? (Yikes. Was it really that long ago?)

If anyone gets to check out her show in Ventura, I want to see pictures of her baby bump. I doubt it will compare to Inara George’s.

Standard